** This event has been canceled due to unforeseen circumstances and will be rescheduled in May 2023 or later.     In this edition of Meet the Makers, Karen Palmer will be in conversation about her practice as storyteller from the future at the intersection of AI, Immersive Storytelling, Neuroscience and Bias. She will be in conversation…

    In this edition of Meet the Makers, Polymorf will be in conversation about the making of their award winning installation Symbiosis. Symbiosis is a performative, multi-user and multisensory VR installation in which the human body is redesigned. It allows every participant to embody a post-human or even nonhuman reality: a completely symbiotic human-animal…

    Meet the Makers aims to facilitate meetings and conversations between academic researchers and students, and makers – such as artists, curators, dramaturges, designers, or other creative practitioners and professionals within the wider field of arts and culture. In this edition of Meet the Makers, Roosje Klap will be in conversation about the making of…

    Michael Century’s recently published book, Northern Sparks, offers an account of the intersecting histories of technological innovation, new media arts, and government/institutional policies in Canada from the 1960s to the early 1990s. This was a period when modernizing social and political energies mobilised both artistic invention and critical intervention in the emerging imaginaries of digital…

Transmission in Motion Seminar (2022-2023): “Imaginary-Imagination” Imaginary means existing in the mind, not real. Yet as a noun, the imaginary refers to sets of ideas that inform our view of the world as a whole, and thus our conception of what is real. Imaginaries manifest themselves in values, institutions, laws and symbols that shape our…

  Feminist Economies Collective creates contexts to break the crisis of imagination in capitalist realism. Together with others we imagine futures in which shared values are no longer primarily appropriated for profit and accumulation of wealth, but open up new perspectives on economic realities. Through this process, we build fragments of new worlds based on…

    Belief and imagination underlie our use of technology. In the edited volume, Believing in Bits: Digital Media and the Supernatural (2019), contributors demonstrate how technologies cannot be analysed outside “the system of beliefs and performative rituals that inform and prepare their use” (Natale and Pasulka 3). One core belief identified in the book…

  In her book Gods and Robots: Myths, Machines and Ancient Dreams of Technology (2018), science historian Adrienne Mayor narrates how ancient Greek mythology already imagined robot-like automata and other forms of artificial life. She writes that such myths can be considered as ‘cultural dreams, ancient thought experiments, “what-if” scenarios set in an alternate world of possibilities,…

  **This seminar takes place at Van Abbemuseum, Eindhoven, from 14:30 to 17:00. Access to the exhibition ‘Rewinding Internationalism. Scenes for the 1990s Today’ is included in the seminar.   The notion of the imaginary has circulated within the humanities since Cornelius Castioiardis’ ‘Imaginary Institution of Society’ first published in 1975. It has appeared in…

  Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer. Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. Dan Hassler-Forest’s new book Janelle Monáe’s Queer Afrofuturism explores how her work has connected different…