The framing of music as writing, as fundamentally techical in the broadest sense, and the implicit inflation of technics and culture that seemed to underly the presentation, is perhaps a delayed response in the field of musicology to the questions about Modernism in visual art that arose in the middle of the last…

  Jonathan Jaschinski   Critical Concepts for the Creative Humanities is a dictionary that compiles 70 concepts bearing the potential to unfold critical power and open up new lines of thought in what the authors call the “creative humanities”. They use this phrase to underline that both humanities and the “field of design, art, and…

    The fifth session of the Transmission in Motion 2021-22 seminar series took place in an unusual setting: a Gather virtual town meeting set up to introduce the participants to an alternative “discursive space of connective and integrative dialogue” (Utrecht University 2022). Departing from the premise that “students with solid training in inter- and…

  In the fourth installment of Transmission in Motion 2021-22 seminar series “Dramaturgy for Devices”, Maaike Bleeker and Marco Rozendaal invited us to analyze four dramaturgical concepts of mise-en-scène, performativity, presence and address (Utrecht University 2022). Reflecting as a part of the discussion on the previous seminars in the series made me wonder about the…

On December 6th, I met multi-sensory storyteller Grace Boyle in an online session of Meet the Makers. This initiative is part of Transmission in Motion, which is a research community that provides a platform for meetings, seminars, and presentations between researchers, artists, and students from across disciplines. Grace is the founder and director of the…

In the Transmission in Motion seminar Meet the Makers: Grace Boyle on the 6th of December 2021, Lianne Toussaint moderated a talk with the multi-sensory storyteller Grace Boyle. This resulted in an inspiring discussion on the manipulation of the senses in art, virtual reality, and cross-modal correspondences, to name only a few of the topics….

What would have been an experimental set-up a decade ago, is now an ingrained praxis: seeing others, hearing others, while hovering my fingers over a touchpad to read a chat. This set-up was the stage for Grace Boyle and Lianne Toussaint at the Meet the Makers meeting on December 6th, 2021, organized by the workgroup…

This reflection stems directly from my previous one titled Plato’s Back, a consideration of how the theory of affect can be instrumental in understanding the historical context and consequences of translating Plato’s work into German in the first decades of the 20th century. The reason for linking these two pieces is that both are informed…

On December the 6th, as part of the Meet the Makers sessions, Grace Boyle spoke about her work as a multisensory storyteller. She states that human beings don’t have 5 senses, but up to (at least) 33. She talked about how this multisensory principle comes into being in her artistic work. In her performances, she…

On Monday 6 December, the members of the Dramaturgical Practices Course (theatre module) had the honor to meet the multisensory storyteller Grace Boyle. Boyle is the founder of ‘Feelies’, a London-based studio that creates multisensory XR content. With this project, she aims to debunk the Western belief that humans have only five senses, and attempts…