In the fourth Transmission in Motion seminar on ethics and artificial intelligence (AI), we were asked to pick a one out of four positions on AI governance, divided over two axis: utopian-dystopian and dragmatic-speculative. Based on the way we positioned ourselves on the grid, we were sorted into groups to discuss our perspectives….

  by Jakob Henselmans   1. Note on the online environment Everybody should join the MIRO-board. There will be an interactive session at the end.   2.Very short introduction by Maaike Bleeker.   3. Sonja Rebecca Rattay – introduction to research: Design practices, ethics and praxis; how social imaginaries provide frames for how AI’s are…

  by Job Santé   During the second seminar of the Transmission in motion seminar programme Michael Century presented his recently published book Northern Sparks:  Innovation, Technology Policy and the Arts in Canada from Expo 67 to the Internet Age, In doing so he illustrated the ways in which Canadian policy-making had shaped the ways…

“Imaginary Media and the Pursuit of the Impossible Dreams” by Olga Efremova     The first in 2022-23 Transmission in Motion seminar series opened with a welcome from Dr. Maaike Bleeker, who introduced media history researchers from Utrecht University Dr. Frank Kessler and Dr. Imar de Vries. The first part of the seminar consisted of…

    The third session of TiM was a fascinating combination of three presentations united by a common desire to unravel both performative and technological aspects of robot actors and robot-like acting, and live theatrical performances that put the theory to practice. Both Simple Machines by Ugo Dehaes and NAO: Re-wired by Ulrike Quade Company…

    The third session of the Transmission in Motion seminar was centred around the topic of “robotic imaginaries”. During the presentations that took part in the session, one project stood out for me, namely the NAO: Re-wired project by the Ulrike Quade Company.[1] Within this project, a so-called NAO robot was deconstructed and rewired…

    What does it mean to design and perform as a robot? In the seminar “Robotic Imaginaries” several speakers discussed how theatre and robots informed each other and how by bringing robots to the theatre it opened up new ways of designing robots and new imaginaries of what robots can be. Where before I…

    The third session of Transmission in Motion on the topic of robots in art and performance was opened with a short introduction by professor Maaike Bleeker wherein she noted that, for a long time, it was the goal of developers to make robots resemble human movement, speech and behaviour as closely as possible….

    During the seminar “Collaboration and Dissensus in the Experimental Arts and Innovation Policy”, Michael Century discussed how intersections between art and cultural institutions, federal government agencies, and university departments created artistic inventions and critical interventions in the emerging imaginaries of digital culture. Through experiments, artists and scientists sought to explore what new technologies…

    In his book Northern Sparks (2022), Micheal Century investigates the intersection of art, technology and policy in Canada from 1967 to 1992. One of Century’s central claims is that artists played a critical role in exploring the potential of new technologies during this period (5). Century writes that the artists not only experimented…