Transmission in Motion

Documentation

The Alternative Future of Blockchain-Enabled Organization – Jingzhe Zhang

  During this workshop, I had a discussion with one of my groupmates on whether we should be optimistic about blockchain technology being applied to progressive or leftist projects. He suggested that maybe we should first of all think about non-blockchain methods. In other words, before “feminist cryptoeconomics”, do we really need cryptoeconomics? My opinion…

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A Networked Truth: Re-imagining technology through human values – Pauline Munnich

    During the last seminar of TiM “Imagining Feminist Cryptoeconomics” Inte Gloerich and Ania Molenda gave a workshop on blockchains and how we could potentially reimagine them as something beyond capitalism. Currently, block-chaining affordances are used to create economic systems. The workshop session asked us to rethink what would happen if we changed the…

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[Recap] TiM Seminar 2022-23 “The Medium is a Medium — Intersecting Technology and Spirituality in a More-than-human World” – Evelyn Wan (UU)

  by Pauline Munnich     In the session “The Medium is a Medium” Evelyn Wan explored the intersection between technology and spirituality, reflecting on how intertwined the more-than-human world and technology have been throughout history.   Dali Wan started by showing a video about an AI experience created by the Salvador Dali Museum in…

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In Defence of Ephemerality – Chris van der Vegt

    Laura Karreman concluded her lecture in the Transmission in Motion series with a couple of elements of the imaginary surrounding motion capture in performance that she had identified. One of these items was that motion capture can enable a kind of “saviour’s complex” toward dance and performance, trying to protect the art from…

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[Recap] TiM Seminar 2022-23 “Cultural Dreams of Datafied Bodies in Contemporary Performance” – Laura Karreman (UU)

  by Pauline Munnich   In the session “Cultural Dreams of Datafied Bodies in Contemporary Performance” Laura Karreman discusses recent artworks arising from the cultural imagination of bodies in movement and motion capture. She does this by focusing on dance, illustrating the link between movement and the motion capture imaginary, drawing on her book Embodied…

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