During the seminar “Collaboration and Dissensus in the Experimental Arts and Innovation Policy”, Michael Century discussed how intersections between art and cultural institutions, federal government agencies, and university departments created artistic inventions and critical interventions in the emerging imaginaries of digital culture. Through experiments, artists and scientists sought to explore what new technologies…

    In his book Northern Sparks (2022), Micheal Century investigates the intersection of art, technology and policy in Canada from 1967 to 1992. One of Century’s central claims is that artists played a critical role in exploring the potential of new technologies during this period (5). Century writes that the artists not only experimented…

    Something that came up repeatedly in our discussion on technological imaginaire was the idea of an immersive virtual world or a ‘Metaverse’. ‘Metaverse’ is the name of a product currently in development by Meta, the company previously known as Facebook. At the same time as Meta announced its rebranding at Connect 2021, the…

  One of the many interesting things brought up by Frank Kessler and Imar de Vries in the seminar is the theory of Apparatgeist. Apparatgeist is a neologism coined by James Katz and Mark Aakhus (2002) based on their observation of parallel shifts in communication habits that came out of mobile phone adoption in different…

    In the first session of this year’s Transmission in Motion seminar (2022-2023) Prof. dr. Frank Kessler and Dr. Imar de Vries introduced and discussed the topic of media imaginaries, imaginary media and media imaginations (Kessler and de Vries 2022). This discussion made me think about the works of Nam June Paik. Paik, known…

    Not too long ago, my friends and I were video calling, laughing about how we covered the three times of the day at the same time during our call. Meeting up, even if it is online, has currently become a bit of a feat for us, living on four different continents and in…

  In the seminar titled “Media Imaginaries / Imaginary Media / Imaginations of Media,” the presenters Frank Kessler and Imar de Vries together reflect on how the three parts of the title interconnect and, in turn, shape the social conditions of the present-day media landscapes. Specifically, the presenters point out how the imaginations of media…

    My natural response to the challenge set by Liesbeth Groot Nibbelink and Anne Karin ten Bosch in the final session of this year’s TiM seminar series to explore methods of drawing, the ‘soft atlas’ and performative mapping (Utrecht University 2022) was to venture outside with a drawing pad and pencil in my hand….

    I have been enjoying the privilege of writing this blog entry from a place in Utrecht Museum Speelklok after having visited their extensive exhibition of musical automations. I came to the place in search of something being “lost in translation”, to quote the title of Sofia Coppola’s 2003 film, when musical performances were…

    The framing of music as writing, as fundamentally techical in the broadest sense, and the implicit inflation of technics and culture that seemed to underly the presentation, is perhaps a delayed response in the field of musicology to the questions about Modernism in visual art that arose in the middle of the last…