As part of the Transmission in Motion Seminar 2017/2018 Nicholas Salazar Sutil gave a lecture on “How to get a Wall to Dance.” His speech was based on the objects of limestone, caves and cave paintings. However, while speaking of these objects of the Palaeolithic age, often also referred to as ‘prehistory,’[1] he was simultaneously…

Before discussing the movement in cave art, I will address briefly movement in another art form, namely dance: “In watching a collective dance – say, artistically successful ballet – one does not see people running around; one sees the dance driving this way, drawn that way, gathering here, spreading there – fleeing, resting, rising, and…

Nicolas Salazar Sutil’s engaging lecture gave fascinating insights into prehistoric artworks, through an analytical approach reminiscent of an archaeologist or even geologist. Through his discussion of caves, limestones, sedimentary rocks and the impact of darkness on artists, he showed us how the principles of artistic practices can be recognized and interpreted in centuries-old rock paintings. The key…

During this first lecture, in the frame of the Transmission in Motion Seminar, Nicolas Salazar developed certain ideas about how rocks, and especially limestones in caves, can transmit as much as any digital media nowadays. The main idea that I got from this session could be summarised as it follows: transmission is not something confined…

In his presentation, Nicolas Salazar Sutil offers a new beginning, reaching back to pre-historic knowledge. This opening, that he is mapping out in his forthcoming book Matter in Transmission (Bloomsbury), overcomes the idea that transmission is only possible in conventional telecommunicational forms, such as electricity, radio-waves, microwave and infra-red. Instead, he invites elements – water,…